The Cycle of Axer Carrick
Part III -- Frostmelt
by Henry Wyckoff
"So," said Scully to the analysis team that had been pulled
together at the last moment. She figured that if she had to
get the job done, she'd need help -- and to hell with
Skinner's need for secrecy. "What have you come up with?"
They were in her lab -- all of them organic and analytical
chemists from Georgetown -- who had either gone to college
with Scully or had met her in some professional capacity
through the years. None of them had cheerful faces.
John, an expert in chromatography and mass spectrometer
analysis, handed over a tall stack of readouts. "Here's all
you have: sweat, body salts, and some traces of fresh, dried
blood. If I'm right, you also have a commercial brand of
vegetable oil -- I'm not sure if it's Wesson or not. I
haven't found a single drug or toxin of ANY kind."
The other tales were similar: no matter what solvent was
used on the oily residues from the spear -- oily or aqueous
-- no trace of any drug was found.
"Wait a moment!" Scully suddenly thought out loud, "What if
the behavioral changes are caused by some synergistic
effect, or by the product of a reaction? Have you
identified the salts?"
"Not really," admitted John.
"Then get to work. Let me know what you've found."
They all left, leaving her alone in the lab.
A poster hung in the corner of the lab. It was made in the
1950s, and nobody had ever gotten around to removing it in
any of the intervening years. Large letters said, "Chemistry is fun."
"Dammit!" Scully threw a jar at the poster.
* * *
"Are you going to drink again?" it was a rhetorical question
with a rhetorical tone. Kate looked every bit like the
mother Axer never remembered having.
"Yes -- just not that much again."
"What?!" she nearly screeched, but she cut off whatever else
she was going to say when his eyes snapped up and bore into
her own eyes.
"Why is it such a problem to you? I'm immortal -- drink
can't kill me, and I wasn't making a fool out of myself. If
I was a mortal OR a fool in public, I can understand -- but
you know it's not the case. What's your REAL problem?"
Her eyes fell down to the table, but only for a moment. "I
just don't like watching what you're doing to yourself.
When I saw your face, it looked like you were dying." Axer
snorted. "And you WERE dying -- in here." She poked at his
heart. "You tell me -- what's YOUR problem? Why do you
*need* to drink?"
He could have made any number of excuses or evasions, but he
said, "I like being on the other side."
* * *
It was analysis time. Scully had a stack of papers in front
of her -- every single one of the output sheets from the
chromatograph, spectrometer, and hydrogen NMR runs. Some
marks were made by each of the peaks, identifying which was
which, but Scully wanted to double-check and make sure that
an all-important detail wasn't missed.
After twelve hours of digging through output papers, she
screamed in frustration. "This can't be happening to me!"
The problem was, every single output showed no presence of a
drug, no matter what angle she took.
* * *
Mulder was seated across from LaCroix, who was looking
uncomfortable and amused at the same time.
"So you're saying that you can't even *touch* a direct ray
of sunlight? A single ray of sunlight will burn you to cinders?"
"Yes." LaCroix was tempted to drain the man here and now...
but he knew it wouldn't be wise. Besides, the man might be
more cooperative once his questions were at least answered
-- not that the answers had to be correct.
"And a stake in the heart will kill you as well? I find
that interesting. You can be stabbed anywhere else, but not
the heart? When I felt your pulse, it wasn't there, so what
good would your heart be?"
"I never needed to know the answers. It's enough that I am
who I am."
"You mean that you don't want to *know*?"
LaCroix reassessed this irritating gnat. He had a love of
pure knowledge that would perhaps place him on par with the
philosophers of old. It didn't matter to him whether ideas
had an inherent use or not -- which made his mind much more
formidable. It was imagination and possibilities which were
important, and not usefulness.
"What good would it have done me to know? Does it do you
any good to know how your spleen works?"
Mulder wasn't listening -- he was speaking his thoughts
aloud while his mind went down a logic chain. "And then
there's the blood... What is so *important* about blood?
Could it be that there is something beyond chemistry? Could
it be that the pagans were on to something when they
included blood on their rituals? Or is it a placebo? Could
vampires be in tune with something much different -- and
simply use blood as a tool or a mood-setter?..."
LaCroix left Mulder to his own thoughts -- he didn't seem to
notice the vampire's absence. He shook his head -- in any
other circumstance, he would be obliged to kill the man.
When it was over, perhaps he'd try to 'convince' him that
all this was a dream.
He walked over to the table where the gladius lay. It was
untouched since this morning, when Sharpe had presented it
to him and pleaded most humbly that he become General Lucius
once more. The sword certainly felt right to him... the
balance, the raw power of the steel... It was tempting...
"No!" he told himself, forcing his hand to put the sword
down, which it eventually did. Too many memories came back
-- the marches, the battles, the blood, and the prizes.
//It's too seductive -- the power and the glory. But would
these immortals dance to my commands? Do they really *need*
a general? And how many of the immortals know what I truly
am, or that vampires exist?//
He stared at the dust illuminated by the rays of the sun.
Mulder's question came back to him. Why indeed...
* * *
Axer entered the bookstore/coffeehouse. The smell of Kenyan
coffee got his immediate attention, but so did the smell of
old books. From floor to ceiling, wall to wall, books
beckoned him. But it wasn't an old book that grabbed his
eyes. It was a relatively new one.
'In Search of Schroedinger's Cat: Quantum Physics and
Reality' it was called, written by John Gribben. It showed
the outline of a box, with a dead and living cat
superimposed. He picked it up and scanned it. The first
half of the book was a review of quantum physics written for
those without a physics degree -- and the second half was...
interesting. It explored the paradoxes and extrapolations
that used quantum physics as a base.
He opened it up and read from a random page:
Williamson's world is a world of ghost realities,
where the heroic action takes place, with one of
them collapsing and disappearing when the crucial
decision is made and another of the ghosts is
selected to become concrete reality. Everett's
world is one of many *concrete* realities, where
all the worlds are equally real, and where, alas,
not even heroes can move from one reality to its
neighbor. But Everett's version is science fact,
not science fiction.
The many-worlds interpretation of quantum
mechanics was almost studiously ignored by the
physics community until DeWitt took up the idea in
the late 1960s, writing about the concept himself
and encouraging his student Neill Graham to
develop an extension of Everett's work as his own
Ph.D. thesis. As DeWitt explained in an article in
Physics Today in 1970, the Everett interpretation
had an immediate appeal when applied to the
paradox of Schroedinger's cat. We no longer have
to worry about the puzzle of a cat that is both
dead and alive, neither alive nor dead. Instead,
we know that in our world the box contains a cat
that is either alive or dead, and that in the
world next door there is an observer who has an
identical box that contains a cat that is either
dead or alive. But if the universe is "constantly
splitting into a stupendous number of branches,"
then "every quantum transition taking place on
every star, in every galaxy, in every remote
corner of the universe is splitting our local
world into myriads of copies of itself."
* * *
Scully's hands were raw from pounding the table. Coffee had
lost its effects, and her nerves were on the edge of
snapping. The phone rang, jolting her out of her exhaustive state.
"Hello?... No, sir. No progress yet. I'll let you know as
soon as I've found something..."
She hung up the phone, shaking her head. It didn't feel
good telling Skinner that nothing was found. Not a good
feeling at all...
The door opened, and she snapped her head around to see who'd
come in. "Mark?" She thought it might be the organic
chemistry grad student with another useful idea.
"I'm afraid not," he drawled. The room was somewhat
poorly-lit, so all she could see were the shadows accenting
his face. He was a drifter who probably hadn't had a bath
since the last time it rained. He took a step forward, and
she saw several weeks of beard growth, and a patch over his
right eye. Fresh red scabs surrounded the patch. "I
believe you have something of mine."
"I don't know what you mean."
"Don't grab for the phone -- I took the liberty of cutting
the lines AND killing the guards. Nobody will hear you scream."
She stood up and pulled out her gun. "Put your hands --"
"--in the air," he smiled, holding out his arms wide open.
"I want to show you something..." He ripped open his shirt,
and she saw the criss-crossing of many, many scars of all
shapes and sizes -- some new, but most old. "Do you think
you can do anything that hasn't been done already? Just
give me the spear, and I'll let you live intact. That's all I need."
"Who are you?"
His remaining eye looked deep into hers. "Odin."
For a Norse god, he did a pretty good Christian Slater impression.
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